Wednesday, February 9, 2011

Project #1: Genres

San Diego Academic Theatre: San Diego State University

Eurydice by Sarah Ruhl (produced 2011)

“dramatic comedy”

“mix of quirky comedy and tragedy”


Little Women lyrics by Mindi Dickstein, book by Allan Knee (produced 2011)

“exhilarating new musical”

“upbeat, appealing musical”


Paradise Hotel by Georges Feydeau (produced 2010)

“bedroom farce”

“door-slamming comedy”


The Labyrinth of Desire by Caridad Svich (produced 2010)

witty romantic comedy”

complex comedy


A Midsummer Night’s Dream by William Shakespeare (produced 2010)

“enchanting comedy”

“Shakespeare’s classic romantic comedy”


NEST by Bathsheba Doran (produced 2010)

“dramatic satire”

“dour drama”


Into the Woods by Stephen Sondheim (produced 2009)

“Tony Award-winning musical”

“brilliant Stephen Sondheim-James Lapine musical”


The Clean House by Sarah Ruhl (produced in 2009)

“quirky romantic comedy”

“compassionate comedy”


Dear Harvey by Patricia Loughrey (produced in 2009)

“part tribute and part documentary”

funny, personal, inspirational play”


The Good Person of Szechwan by Bertolt Brecht (produced in 2009)

“inter-cultural play”

“comic parable”



San Diego Professional Theatre: La Jolla Playhouse


Little Miss Sunshine Music and lyrics by William Finn, book and direction by James Lapine (produced in 2011)

“outrageously funny and surprisingly touching new musical”

“musical adaptation”


Let Me Down Easy by Anna Deavere Smith (produced in 2011)

“one-woman play”

“documentary theatre”


Surf Report by Annie Weisman (produced in 2010)

“domestic comedy/drama”

“provocative play”


A Midsummer Night’s Dream by William Shakespeare (produced in 2010)

“Shakespeare’s classic story”

“romance-drenched Shakespeare comedy”


Notes from Underground by Fyodor Dostoevsky (produced in 2010)

“eerie monologue”

“stark, piercing drama”


Cankerblossom directed by Dan Rothenberg (produced in 2011)

“dark fairytale”

“crackpot fantasy”


Tombs of the Vanishing Indian by Marie Clements (produced in 2010)

“contemporary tragedy”

“powerfully compelling play”


Creditors by August Strindberg adapted and directed by Doug Wright (produced in 2009)

“19th century psychological thriller”

“tragicomedy”


The 39 Steps by Alfred Hitchcock adapted by Patrick Barlow (produced in 2009)

“thrilling, riotous, unmissable comedy”

“vaudevillian”


Restoration by Claudia Shear (produced in 2009)

 “leisurely new comedy”

“genial humanistic comedy”